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2 LPs
- 6.35442 EX - (p) 1979
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| 1 CD -
8.44280 ZK - (c) 1989 |
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| DAS KANTATENWERK - Volume 24 |
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| Johann Sebastian
BACH (1685-1750) |
Kantate
"Was Gott tut, das ist wohlgetan",
BWV 98
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14' 15" |
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Kantate
am 21. Sonntag nach Trinitatis (Dominica
21 post Trinitatis)
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Text:
Textdichter unbekannt
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Solo:
Sopran, Alt, Tenor, Baß - Chor; Oboe I,
II, Oboe da caccia; Streicher; B.c.
(Violoncello, Violone, Organo)
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- 1.
Chor: "Was Gott tut, das ist wohlgetan"
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4' 23" |
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D1 |
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- 2.
Recitativo (Tenore): "Ach Gott! wann wirst
du mich einmal" |
0' 56" |
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D2 |
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- 3.
Aria (Soprano): "Hört, ihr Augen auf zu
weinen" |
3' 40" |
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D3 |
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- 4.
Recitativo (Alto): "Gott hat ein Herz, das
des Erbarmen Überfluß" |
0' 55" |
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D4 |
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- 5.
Aria (Basso): "Meinen Jesum laß ich nicht" |
4' 21" |
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D5 |
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Claus
Lengert (Solist des Knabenchores
Hannover), Sopran
Paul Esswood, Alt
Kurt Equiluz, Tenor
Max van Egmond, Baß
Knabenchor Hannover |
Heinz Hennig, Leitung
Collegium Vocale Gent | Philippe
Herreweghe, Leitung
Das verstärkte LEONHARDT-CONSORT mit
Originalinstrumenten
- Ku Ebbinge, Bruce Haynes, Oboen
- Pieter Dhont, Oboe da caccia
- Marie Leonhardt, Janneke van der Meer,
Ruth Hesseling, Antoinette van den Hombergh,
Keiko Watanabe, Violinen
- Wiel Peeters, Violen
- Anner Bylsma, Wouter Möller (BWV 98,1),
Lidewij Schijfes (BWV 98,5), Violoncelli
- Anthony Woodrow, Violone
- Gustav Leonhardt, Bob van Asperen (BWV
98,5), Orgel
Gustav Leonhardt, Gesamtleitung
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Luogo
e data di registrazione |
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Doopsgezinde Kerk,
Haarlem (Holland) - Settembre 1978
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Registrazione: live
/ studio |
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studio |
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Producer |
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Wolf Erichson
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Prima Edizione LP |
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Telefunken "Das Alte
Werk" | 6.35442 EX | 2 LPs -
durata 34' 32" - 40' 55" | (p)
1979 | ANA
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Edizione CD |
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Teldec Classics |
LC 6706 | 8.44280 ZK | 1 CD -
durata 76' 15" | (c) 1989 | ADD |
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Cover
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Johann Sebastian
Nach, einige Jahre vor seiner
Ernennung zum Kantor in Leipzig.
Gemälde con JJ. Ihle (1720) Bach
Museum Eisenach.
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Note |
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In questo volume sono
presenti anche La Cantate BWV 95,
BWV 96 e BWV 97 a cura del
Concentus Musicus Wien diretto da
Nikolaus Harnoncourt.
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INTRODUCTION
by Ludwig Finscher
»Was Gott tut, das ist
wohlgetan« (BWV 98)
was composed for the 21th
Sunday after Trinity 1726
(10th November), and thus
chronologically is the
second of the three Bach
cantatas on this text (BWV
99 was written in 1724, and
BWV 100 around 1732/35). The
anonymous text links up the
introductory hymn verse with
two freely written
recitatives and arias which
paraphrase the basic concept
of the Sunday gospel (God
helps those in distress who
believe in him). A
concluding chorus ts
lacking, so that an approach
is made in form to the
normal shape of the secular
chamber cantata. The chamber
musical intimacy suggested
by this also marks the
composition detail. The
introductory chorus (in
B-flat major) encompasses
the simple choral movement,
emphatically extended only
in the concluding line, with
a just as simple string
movement entirely dominated
by the concertante first
violin. The soprano aria (in
C minor) in elegiac tones
sings of patience in
suffering, graphically
transposing the antithesis
of weeping and living. The
bass aria (in B-flat major)
is enriched by the fact that
the thoroughbass also
participates in the motif
work. Furthermore it hints
at the lacking concluding
chorus by rendering in
slightly ornamented form in
the first line the text
belonging to the choral
melody (Meinen Jesum lass
ich nicht) - the voice of
the individual and voice of
the congregation in unison.
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