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1 CD -
436 460-2 - (p) 1994
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| GERMANY |
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| Heinrich Ignaz
Franz von BIBER (1644-1704) |
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| Requiem
- String Sonatas |
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65' 56"
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Requiem
in F minor
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29' 27" |
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| Requiem
ex F con terza min[ore] / à 5 Voci e 5
Viole in Concerto / 5 Voci in Capella /
3 Tromboni ad libitum / Authore /
Henrico Francisco de Bibern / dapifero
ac Capellae Magistro / Partes 29 |
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Introitus |
3' 28" |
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1
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Kyrie |
1' 51" |
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2
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Dies irae |
8' 18" |
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3
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Domine Jesu Christe |
4' 52" |
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4
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Sanctus |
4' 48" |
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5
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Agnus Dei |
6' 10" |
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6
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Ballettaae
à 4 Violettae (a)
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8' 16" |
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- I. ¢
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1' 24" |
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7
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| - II. |
1' 12" |
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8
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| - III. ¢ |
0' 46" |
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9
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| - IV. |
0' 58" |
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10
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- V. ¢
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0' 51" |
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11
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- VI. 6/8
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1' 36" |
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12
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| - VII. Minuett |
1' 29" |
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13
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Battalia
à 10 (b)
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9' 59" |
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| Das liederliche
Schwärmen der Musquetirer, Mars,
die Schlacht / Undt lamento der
Verwundten, mit Arien imitirt
Und Baccho dedicirt, / von H.
Biber, Ao. 1673 |
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- Sonata
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1' 44" |
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14
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| - Die liederliche
Gesellschaft von allerlez Humor |
1' 52" |
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15
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| - Der Mars |
0' 59" |
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16
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| - Presto |
1' 04" |
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17
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| - Aria |
2' 04" |
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18
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| - Die Schlacht |
0' 47" |
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19
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| - Lamento der
Verwundten Musquetirer (Adagio) |
1' 29" |
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20
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Serenada
(der Nachtwächter) (c)
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11' 49" |
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- Serenada ·
Adagio
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1' 33" |
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21
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- Allamanda
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1' 42" |
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22
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- Aria
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1' 27" |
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23
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| - Ciacona
(Testudini: ohne Bogen) |
2' 52" |
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24
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- Gavotte
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1' 59" |
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25
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- Retirada: Tutti
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1' 16" |
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26
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Sonata
à 6 (d)
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6' 44" |
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| die
Pauern Kirchfarth genandt vom H.biber |
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| - Sonata (Adagio ·
Presto) |
1' 39" |
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27
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| - die Pauern
Kirchfarth |
2' 49" |
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28
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- Aria
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1' 16" |
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29
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| - Andante: Tutti |
1' 00" |
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30
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| Sonatas |
Requiem |
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Simon Grant, bass
(c)
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Choir I |
Choir III |
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| Pavlo Beznosiuk, Rachel
Podger, violins (abcd) |
Catherine Bott, soprano |
Olive Simpson, soprano |
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| Marshall Marcus, violin
(bd) |
Tessa Bonner, soprano
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Helen Parker, soprano |
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| Martin Kelly, viola
(abcd) |
Christopher Robson, countertenor |
Deborah York, soprano |
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| Alan George, viola
(bcd) |
John Mark Ainsley, tenor |
Carol Hall, soprano |
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| Annette Isserlis,
Chizuko Ishikawa, violas (b) |
Michael George, baritone |
Caroline Trevor, alto |
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| Joanna Levine, violone
(b) |
David Roblou, organ |
Catherine King, alto |
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| Mark Levy, violone
(abcd) |
Paula Chateauneuf, archlute |
Paul Agnew, tenor |
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| Peter McCarthy, violone
(cd) |
Keith McGowan, curtal |
Simon Davies, tenor |
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| David Roblou, harpsichord
(abcd) |
Choir II
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Simon Grant, bass |
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| Richard Egarr, organ
(abcd) |
Pavlo Beznosiuk, violin |
Alan Ewing, bass |
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| Paula Chateauneuf, lute,
archlute, guitar (abcd) |
Rachel Podger, violin |
David Purser, sackbut |
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| Tom Finucane, lute,
archlute (abcd) |
Alan George, viola |
Paul Nieman, sackbut |
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Martin Kelly, viola |
Stephen Saunders, sackbut |
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Annette Isserlis, viola |
Janet Waterfield, organ |
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Richard Egarr, organ |
William Varter, archlute |
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Tom Finucane, viola |
Peter McCarthy, violone |
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Mark Levy, violone |
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| New London Consort |
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| Philip PICKETT,
direction |
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Luogo
e data di registrazione |
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Walthamstow
Assembly Hall, 14/16 January 1992 |
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Registrazione:
live / studio |
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studio |
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Producer |
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Christopher
Pope |
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Balance Engineers
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Jonathan
Stokes, Simone Eadon |
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Recording Editor |
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Sally
Drew |
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Editions |
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Requiem:
by Michael Pilkington, performing
version by Philip Pickett
String Sonatas: Editions and
performing versions by Philip
Pickett
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Prima Edizione LP |
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Prima Edizione CD |
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L'Oiseau
Lyre - 436 460-2 - (1 CD) - durata
65' 56" (c) 1994 - DDD |
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Wallet Front (CD) |
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Engraving
by Melchior Küsel (1626-1684)
showing a musical performance in
Salyburg Cathedral in 1682 |
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